School of Theatre information
About the School
Berkeley Rep creates ambitious theatre that entertains and challenges its audiences, provokes civic engagement, and inspires people to experience the world in new and surprising ways. The School of Theatre supports this mission through meaningful connections between audiences and our mainstage work, creative entry points for new audiences, tools for artists and students to harness their imaginative power, and immersive training for future theatre makers.
Having first opened its doors in 2001, the School of Theatre offers programming as eclectic as the productions onstage at Berkeley Rep, reaching some 20,000 people in the Bay Area each year. Driven by an expanding community of inspired, curious, and creative theatre lovers, the School’s programming provides opportunities for engagement on a variety of levels.
Since its inception, the School has:
- Served over 311,600 people;
- Collaborated with 550 professional teaching artists;
- Led workshops in 3,560 classrooms in nine counties in the Bay Area;
- Produced 135 original plays created by youth and teen students;
- Mentored 344 young professionals through our Fellowship program (since 1985).
September 23, 2019
Fall classes begin
January 13, 2020
Winter classes begin
March 30, 2020
Spring classes begin
June 15, 2020
Summer Theatre Intensive: Session One begins
July 7, 2020
Summer classes begin
July 13, 2020
Filmmaking and Acting Intensive begins
July 14, 2020
Summer Theatre Intensive: Session Two begins
2071 Addison Street, Berkeley CA 94704
School of Theatre major sponsors
Walter & Elise Haas Fund
Jonathan Logan Family Foundation
The Woodlawn Foundation
Staff and faculty
Berkeley Rep School of Theatre faculty and staff are highly trained professional theatre artists who work regularly in their respective areas of expertise.
Rachel Hull is the director of Berkeley Rep’s School of Theatre, where she oversees a team of talented artists and arts educators. Working within 10 counties in the greater Bay Area, Berkeley Rep’s programming is through elementary, middle, and high school partnerships and all ages programming at the Theatre. Rachel is a member of the Lead Action Team for the Alliance for Arts Learning Leadership through Alameda County Office of Education Arts Education Alliance Bay Area, co-lead of the Berkeley Arts Education Steering Committee, and past board member of American Alliance for Theatre Education. Previously, she was the director of education at Dallas Theater Center, where she oversaw all education and community programs including Project Discovery, winner of the 2013 National Arts and Humanities Youth Program Award from the President’s Committee on the Arts and the Humanities, given by Frist Lady Michelle Obama. As a contributor within the Dallas Arts District, Rachel lead collaborations with a variety of arts and cultural organizations during her tenure at DTC including the Dallas Museum of Art, Perot Museum of Nature and Science, Big Thought, Dallas ISD and other surrounding districts, and a founding member of the Informal Educators of Dallas County, Theatre Educators of North Texas advisor, and steering committee member of Theatre Forward’s education task force. Outside of her work within regional theatre, Rachel mentors student teachers at UC Berkeley, and has taught at Southern Methodist University, the University of Texas at Austin, Educational Theatre Association, Dallas ISD professional development, and presented at the University of Houston’s Center for Arts Leadership, the American Alliance for Theatre Education, and the National Guild for Community Arts Education.
MaryBeth is the associate director of Berkeley Rep School of Theatre. REGIONAL (Choreographer): California Shakespeare Theater for fifteen seasons, where she is an associate artist; Oregon Shakespeare Festival, for five seasons as choreographer and actor; Berkeley Repertory Theatre; The New Victory Theater; Yale Repertory Theatre; Cincinnati Playhouse; Repertory Theatre of St. Louis; La Mama E.T.C.; Aurora Theatre Company; Shakespeare Santa Cruz; Lincoln Center Director’s Lab; San Francisco Shakespeare Festival; TheatreWorks; Shakespeare at Stinson; Mills College Rep; Summerfest Dance. DIRECTING: Twelfth Night, North Bay Shakespeare Company; Measure for Measure and The Red Wheelbarrow, Shakespeare at Stinson; Peter and the Wolf, Napa Valley Repertory Theatre. Ms. Cavanaugh currently teaches in the MFA program in the Department of Theatre and Dance at U.C. Davis and has taught in the Department of Theater, Dance and Performance studies at U.C. Berkeley, California Shakespeare Theater and at Berkeley Rep School of Theatre. She received her MFA in Dance Composition from Mills College.
Anthony Jackson · Program Manager, Training and Community Programs
Marcela Chacón · Education Communications and Partnerships Manager
Si Mon’ Emmett · Education and Youth Programs Associate
Katie Riemann · Data and Tessitura Analyst
Modesta Tamayo · Community Programs Administrator
Zandra Starks · Education Fellow
is a Designated Master Linklater voice teacher, trained by the world renowned voice teacher Kristin Linklater. She is currently the Head of Voice at American Conservatory Theater in San Francisco. She has worked as an actor, voice coach, and director in many American regional theatres, including Oregon Shakespeare Festival, The Old Globe, Milwaukee Repertory Theater, Guthrie Theater, Chicago Shakespeare, Goodman Theatre, Lyric Opera, Steppenwolf, Shakespeare Santa Cruz, and Shakespeare & Company. She has taught workshops in Shanghai, Barcelona, London, Australia, and New Zealand. Her current area of research and writing is transgender voice. She works with transgender individuals so that they can modify their voice to more fully express their gender identity.
is a performer, director, choreographer, and puppeteer. She is a resident artist with the San Francisco Shakespeare Festival, and a teaching artist with Cal Shakes, the Quinan Street Project, Arabian Shakespeare Festival, and Circus of Smiles. Amelia performs with Gamelan Sekar Jaya, Berkeley’s Balinese performing ensemble. She most recently played Malvolio/Sebastian in Twelfth Night with Arabian Shakespeare Festival. Amelia has toured commedia dell’arte shows to fringe festivals on both coasts with her company AlulA Ensemble. Her solo work has premiered at San Francisco Fringe Festival and Utopia Theatre Project. She ran the youth circus performance ensemble at Kinetic Arts Center and created two full-length circus adaptations of The Borrowers and Alice in Wonderland. Amelia graduated from Dell’Arte International School of Physical Theatre and continues to specialize in ensemble-based physical theatre.
studied with Sanford Meisner at the Neighborhood Playhouse in New York, and was later designated there to teach the technique. After a career as an actor and model in New York and the Bay Area, Rachael founded two Meisner conservatories (Studio Magnetic, Waterfront Playhouse and Conservatory). In addition to studying the Meisner Technique, Rachael has also trained in other techniques with Larry Moss, Sandra Seacat, Bill Hickey, and Earle Hyman at HB Studios in New York, Loyd Williamson at the Actors Movement Studio, and many other acting, voice, and movement techniques. Rachael’s other areas of expertise include classes in scene and monologue work. She has taught at ACT, Mills College, Foothill College, and other venues in the US, and is the Master Meisner Teacher at MeisnerEspana in Barcelona, Spain.
is an actress and theatre maker based out of Minneapolis. She has taught workshops around the country and is an adjunct professor at the University of Minnesota in the Theatre Arts & Dance Department. She was a ten year company member of the nationally renowned Theatre de la Jeune Lune. She has studied at Ecole Philippe Gaulier, worked with Swiss clown Pierre Byland, and collaborated with Chris Bayes on clown and commedia at Yale Repertory Theatre. She has also appeared at Berkeley Rep in Roe (also Oregon Shakespeare Festival and Arena Stage), as well as in Theatre de la Jeune Lune’s Don Juan Giovanni, The Green Bird, and The Miser. Regional credits include Richard III and Dead Man’s Cell Phone (OSF), Hamlet (New Victory Theater), Twelfth Night (Shakespeare Theatre Company), The Servant of Two Masters (Yale Repertory Theatre), Sarah Ruhl’s Three Sisters and Behind the Eye (Cincinnati Playhouse in the Park), The Syringa Tree (Jungle Theater), and Time Stands Still, The 39 Steps, Dollhouse, Major Barbara, Home Place, The Secret Fall of Constance Wilde, and As You Like It (the Guthrie Theater), and The Miser and Amerika (American Repertory Theatre). Film/TV credits include Lady Dynamite, Detective Fiction, and Older Than America. Sarah is a 2012 McKnight Theater Fellow and received the Cincinnati Acclaim Award and Princess Grace Honorarium.
is an award-winning San Francisco Bay Area-based music director and pianist. Recent musical director/conducting credits include Once (42nd Street Moon), Matilda and Billy Elliot (CCMT), Mamma Mia (Center Rep), and Broadway Cares Cabaret at Feinstein’s (ft. the cast of Aladdin, 2019 National Tour). National tour credits: Les Misérables (2018), Miss Saigon (2019), A Bronx Tale (2018). She recently won a Shellie Award for Outstanding Music Direction on Billy Elliot. In addition, she teaches private piano out of her home and plays piano for Martuni’s Piano Bar in San Francisco.
is an actor, director, and educator deeply committed to unfolding the artistry of the human body, voice, and spirit through the theatrical medium. Since relocating to the Bay Area, Miriam has appeared in the Lorraine Hansberry Theatre’s West Coast premiere of The Urban Retreat, San Francisco Shakespeare Festival’s The Comedy of Errors: Shakespeare on Tour, understudied for California Shakespeare Theater (Queen Margaret, War of the Roses), and appeared as the title role in The Heiress at Lucie Stern Theatre, Irina in Three Sisters at Douglas Morrisson Theatre, Sébastienne in Livermore Shakes’ Tempest, Lady Macbeth for Half Moon Bay Shakes, and as Karen in August: Osage County (Novato Theater Company), among others. Miriam directed The Crucible for Pacifica Spindrift Players (2018) and The Hallelujah Girls for North Bay Stage Company (2016). Miriam also teaches acting for Cal State East Bay, Sacramento State, Marin Shakespeare Company, and San Francisco Shakespeare Festival, and is a proud KCACTF respondent, TBA adjudicator, and member of AEA. MFA, Acting, CUNY Brooklyn College.
is a voice and guitar teacher. Andrea is the voice teacher for the Performing Arts Academy of Marin and has taught at Blue Bear School of Music, Urban, and Burke to name a few. Andrea started off singing (and acting) by way of musical theatre productions in San Diego at age 11. She performed with San Diego’s Lamb’s Players Theatre and San Diego Junior Theatre. Andrea also has extensive choral experiences including a tour in Japan with San Diego’s Music Machine as well as a performance with Shania Twain during her Come on Over tour. In addition to musical theatre and choirs, Andrea is also a songwriter with music on Spotify, iTunes, CD Baby, and YouTube. She is the lead singer of alt-rock band Van Aragon, and also currently working on a hybrid funk/soul project, Andrea A. Andrea has performed at performances venues such as Bottom of the Hill, Boom Boom Room, and Facebook.
Bobby August, Jr.
is an actor, improviser, and teacher. He earned an MFA in Acting from the University of California, Davis. Some of his favorite past performances include portraying Romeo in Romeo and Juliet, Benedick in Much Ado About Nothing, Howie in Rabbit Hole, Petruchio in The Taming of the Shrew, and The Player in Rosencrantz and Guildenstern are Dead. Bobby also devises physical theatre pieces with long-time collaborator Iu-Hui Chua. They created and performed Crawl and Ligilo at the Mondavi Center for the Performing Arts. In addition, Bobby is the owner and director of the award-winning Made Up Theatre (MUT) in Fremont, California. His theatre specializes in presenting completely improvised plays. He has performed with MUT at improv festivals throughout the country—most recently winning Best Improv Group at the Sacramento Comedy Festival. His improv education includes training at the world-famous Second City and Annoyance Theatre in Chicago.
is an international performance art, dance, and theatre maker. She has a BA in performance studies from Sarah Lawrence College and has done Master’s work at Dell’Arte School of Physical Theatre and Wesleyan University. After founding The Raw Material Performance Ensemble in Amsterdam, she then traveled and studied dance extensively in Southern Asia. Once arriving in the Bay Area she began teaching, directing, and performing with her ensemble, Teatro Auzzura. Her solo work has been performed at La Mama in New York, the Cleveland Performance Art Festival, and has won Best of the Fringe in San Francisco and Seattle. She also received a Goldie award in 2000 for her role as Salvador Dali’s wife, Gala. Blue’s company has received critical acclaim for their dance theatre work around the US and in Europe.
is Professor of Performance Studies at UC Davis. He is the author of the books Tactical Performance: The Theory and Practice of Serious Play and Electoral Guerrilla Theatre, and the play Cointelshow: A Patriot Act. He was “Art and Controversy” Fellow at Carnegie Mellon and “Humanities and Political Conflict” Fellow at Arizona State University. Bogad is a veteran of the Lincoln Center Director’s Laboratory and cofounder of the Clandestine Insurgent Rebel Clown Army. He has performed on many picket lines in roles such as Saint Francis, Ronald McDonald, and the Angry Banker. Bogad has written and performed for the Yes Men, La Pocha Nostra, Reclaim the Streets, and many other groups. He has performed in major museums and occupied buildings, and lectured and led performance-activist workshops internationally including in Argentina, Brazil, Canada, Chile, Egypt, Finland, Germany, Iceland, Latvia, Spain, and the UK. He is the world’s best, worst, and only economusician. Bogad draws on 20 years of experience as an artist-activist, having worked with most of the contemporary groups he discusses as a writer, performer, and strategist.
is a Massachusetts raised, Bay Area “wash ashore” who has worked in professional theatre for the past eight years. Martha graduated from the Lee Strasberg Theatre and Film Institute and studied with Steppenwolf West under alumni Tom Irwin and LA’s comedy improv group, The Groundlings. Locally, she has worked with Magic Theatre, Shotgun Players, Aurora Theatre, SF Playhouse, Marin Theatre Company, and Central Works, as well as La Jolla Playhouse and Secret Rose Theatre in Southern California. Martha currently coaches acting, improvisation, and audition technique. She’s excited to be back at the Berkeley Rep School of Theatre creating and discovering honesty and expression through performance.
is a local theatre, film, and voice-over actor here in the Bay Area. After spending her college career in Chicago, Millie moved out to San Francisco. In addition to her work on stage, Millie has worked at Nancy Hayes Casting for several years where she assisted many television, film, and theatrical productions with casting. Past credits include the world premiere of Testmatch (ACT), Billie Dawn in Born Yesterday and the Congregant in The Christians (SF Playhouse), Peddler in A Very Old Man with Enormous Wings (Chicago Playworks), and Tiffany in The Shakespeare Bug (Playground and Killing My Lobster). Millie can also be seen in Episode 8 of 13 Reasons Why on Netflix.
Nicole Apostol Bruno
is an AEA actor, educator, and movement artist. As an actor, she has performed with Marin Theatre Company (The Wolves), Z Space (A Good Neighbor), and the Oregon Shakespeare Festival (Great Expectations, The Winter’s Tale, Richard II). She holds a BFA from Southern Oregon University, where she studied under neoclassic mime and movement pioneer James Donlon. As an educator, she has worked with TheatreWorks and Marin Shakespeare Company as well as Berkeley Rep.
In a career that has spanned three decades and four continents, Ron Campbell has performed everywhere from the streets of Paris, Rome, and Florence to the Royal Albert Hall in London and the Fuji Dome in Japan. A recipient of the Fox Fellowship for Distinguished Achievement, the “King of the Clowns” in Cirque du Soleil’s Kooza, and award-winning one-man show practitioner (R. Buckminster Fuller, The Thousandth Night, Shylock, The Dybbuk, The Boneman of Benares, Beckett’s Eh Joe among others), Ron has trained with such luminaries as Philippe Gaulier, David Shiner, Min Tanaka, and Georges Bigot, and has taught physical theatre, clowning, and mask in Japan, Europe, and North America. An associate artist at California Shakespeare Theater, Ron has played everything from Richard the Third to Sherlock Holmes to Don Quixote, for which he received both the Bay Area Critic’s Award and Theatre Bay Area’s Outstanding Principal Performance Award. Ron is the founder and CEO of Soar Feat Unlimited.
is a director, actor, writer, dialect coach, and acting teacher. A former company member of American Conservatory Theater and associate artist with California Shakespeare Theater, Nancy has performed and directed extensively in regional theatres, including ACT, Berkeley Rep, Aurora Theatre Company, Shotgun Players, African-American Shakespeare Company, A Traveling Jewish Theatre, and the Oregon Shakespeare Festival. Nancy is the co-author of a new musical, Max Understood. A theatre arts lecturer with UC Santa Cruz and San Jose State, she holds a BA in comparative literature from Brown University and an MFA in acting from ACT. Nancy is a member of SDC, AEA, SAG-AFTRA, and the Dramatists Guild.
holds a BA in voice and theatre and an MFA in acting. Previously from Seattle, she won a Seattle Times Footlight Award for her role of Mabel in The Pirates of Penzance, and also had the honor of acting with Tony award-winning actress Judy Kaye in Gypsy at 5th Avenue Musical Theatre Company. She was a company member of the Marin-based Porchlight Theatre Company for five years and had leads in many of their mainstage productions, including Chekhov’s Three Sisters and Oscar Wilde’s An Ideal Husband. Locally, Rebecca has also acted with Shotgun Players and Cinnabar Theater Company. She dialect coaches for various Bay Area theatres, including Shotgun Players, Theatre Rhinoceros, Town Hall Theatre Company, Mendocino Theatre Company, Virago Theatre Company, and Ross Valley Players. She is a founding member of The Incidentalists, a long-form improvisational group based in Oakland.
is an artist and consultant with a passion for collaboration and a cross-disciplinary approach to theatre making. Paul has been teaching, acting, and directing for the last 25 years. Locally, Paul helped facilitate (through theatre collective 2by4) the early development of Christopher Chen’s Obie Award-winning play Caught and has also directed several productions of other Bay Area playwrights. Paul has also had the pleasure of working at Shakespeare and Company, Steppenwolf Theatre, Interlochen Center for the Arts, Chichester Festival Theatre, and Royal Court. In addition to his theatre work, Paul has worked globally in the areas of leadership and organization development for the last 20 years, helping individuals and teams increase their capacity for authentic collaboration and transformational change.
is a professional actor, director, and a key theorist of Theatre of the Oppressed. He is the Artistic Director of Kairos Theater Ensemble, adjunct professor of Theater and Social Justice at Starr King School at the Graduate Theological Union, and past President of the national organization for Theatre of the Oppressed. Author of numerous books, articles, and performances, he is considered a pioneer in the integration of somatics, Theatre of the Oppressed, and socially engaged art. The focus of his work is in the application of theatre as a tool for social and political change, using Theatre of the Oppressed to challenge, resist, and transform systemic oppression and structural violence and to redress large-scale historical atrocity and injustice. His approach to performance and social change is informed by his background as veteran, martial artist, and three decades of vipassana meditation.
is the owner of Voice One Training, the premiere voice acting school in San Francisco, and has over 20 years of experience as a voice actor, teacher, and performer. Her many voice over clients include Yoplait, Clorox, Toyota, Old Navy, McDonalds, Pixar, Apple, Google, Microsoft, EA Games, Telltale Games, and Lucas Arts, among others. Sally began developing the voice over curriculum at the Berkeley Rep School of Theatre in 2010, and is thrilled to be teaching for her ninth consecutive year at the school. She has also taught at Cal Shakes, Google Arts, and is a certified executive coach with the UC Berkeley Haas School of Business. In addition, Sally has a master’s degree in Performance from Mills College.
is a local actor/writer. He recently played Malachai in Cal Shakes’ production of black odyssey. A native of Pittsburgh, PA, Michael graduated from Morehouse College in 2016 with a BA in Drama. He recently completed a year-long education fellowship with Berkeley Repertory Theatre.
Shannon R. Davis
directs and educates in the Bay Area, across the country, and internationally. Current: Oregon Shakespeare Festival’s Killian Directing Fellow, Berkeley Rep teaching artist, company member and director at Theatre of Yugen. Directing: Oregon Shakespeare Festival, University of Wisconsin–Madison, Theatre of Yugen, Microsoft Research, Facebook Research, San Anselmo Playhouse, Musical Café, Shotgun Players, Exit Theatre, Brava Theater, others. Teaching: UW–Madison, International School of Asia Karuizawa, Beyond Acting, Bay Area Children’s Theatre, FOGG Theatre, StageWrite, others. Acting: Forward Theater Co., Renaissance Theaterworks, Theatre of Yugen, Children’s Theater of Madison, City Theatre Co., Vortex Rep, others. MFA, Directing. MFA, Acting. BA, Directing/Voice. Studied at UW–Madison and MXAT–Harvard.
was a scripted actor terrified of improv, but after her first class, it was so much fun that she hasn’t stopped doing it. She has a BA in Theatre Arts from UCSC and trained at ACT, Berkley Rep, and BATS Improv. Laura performs improv all over the Bay Area, was on TLC’s reality show Four Weddings, and recently starred in the short film Displacement, which received an award at the Monaco International Film Festival. Laura is a guest artist who teaches in the K–12 school system, applying improv and getting students ready for performances. She works with beginning adult improvisers, more advanced classes geared towards performances involving short form or long form, and local businesses doing leadership and communication trainings with applied improv. Laura is a walking testament to the power of improv—she was once very shy, highly self-critical of her creativity, and terrified of improv. Now she is a professional improviser and teacher who creates a safe, fun space to laugh with a wonderful group of people.
is emerita from UC Berkeley where she was the advanced acting teacher for the Department of Theater and Dance. She was the founding director of the California Shakespeare Festival Conservatory and has also taught for Boston University as well as for university sponsored programs in London and Ireland. Her most recent local acting credits include Augustine in Everything Is Illuminated and Queen Atossa in The Persians at Aurora Theatre—roles for which she received San Francisco Bay Area Theatre Critics Circle Award Nominations. She performed in productions for Cal Shakes, where she played over thirty roles including Cleopatra, Kate, Titania, Gertrude, Beatrice, and Lady M. She has also performed for the Oregon Shakespeare Festival, Santa Fe Shakespeare, and venues in Seattle and Atlanta. Dolas is the recipient of the 2015 Divisional Teaching Award for non-senate faculty.
has been captivated by voice-over and recording his whole life. As a full-time VO, he has voiced a Star Wars Stormtrooper ornament warning kids to stay away from presents, the Levi’s Stadium Talking Scoreboard campaign, and appeared as an ongoing voice for John Muir Health. He works across all areas of voice-over with commercial, narrative, eLearning clients including Adobe, Exploratorium, Samsung, Visa International, Oracle, Cisco, and Eisenhower Healthcare. You may have heard him as Captain Thorn and the Evil Dr. Houser in the Deadwood Mansion VR Escape Room, Blackfeather the Assassin in VainGlory, Quigley the Robot in Leapfrog’s Letter Machine Rescue Team, The Birdman of Alcatraz in 1954 Alcatraz, or the laconic (and holographic) Bartender in Emerald Theater. Jim also works as an audio consultant to voice actors setting up home studios and is on the faculty at Voicetrax SF.
Si Mon’ Emmett
is a native of Dallas who graduated with a BFA in the UTeach Theatre program at the University of Texas at Austin. Now a certified educator for theatre arts, she works both in classrooms and in administration for the Berkeley Rep School of Theatre as the Education and Youth Programs Associate. Her background in TYA (Theatre for Young Audiences) spans from acting to directing and devising. Previously, she has worked with Dallas Children’s Theater, Victory Gardens Theater (Chicago), and VORTEX Repertory Company and Teatro Vivo (Austin).
was born and raised in London where she combined her knowledge of anatomy as an RN tutor with her theatre training at the Harold Pinter Studios. Deb currently serves on the faculty at SF Academy Art University. She worked with Stephen Hawking’s theatre company Libra. She offers courses at Berkeley Rep and the University of San Francisco (“Voice for Performance”), and coaches for executives from companies such as Sephora, Wells Fargo, Financial Times, Facebook, and Oculus.
is an award-winning actor and teaching artist with over 30 years’ experience. As an actor in the Bay Area he’s appeared in nearly 50 productions at American Conservatory Theater, and in shows for Cal Shakes, Berkeley Rep, SF Playhouse, the Magic Theatre, and Marin Theatre Company. Anthony has also performed at other theatres across the country, off Broadway, and on Broadway. He teaches regularly for ACT’s MFA program, and has taught previously for the Berkeley Rep School of Theatre as well. He trained at The Juilliard School and with The Barrow Group.
is a movement theatre creator, acrobatic clown, and teaching artist based in San Francisco and a core member of UpLift Physical Theatre. She received a MFA in ensemble-based physical theatre from Dell’Arte International in 2015. Compelled by the transformative power of performance, Hannah seeks to disarm the world through joyful play, physical engagement, and authentic connection. In San Francisco, Hannah works as a hospital clown with the Medical Clown Project, teaches at the Clown Conservatory in San Francisco, manages the youth circus performance program at AcroSports, and performs with Clowns Without Borders, providing entertainment in crisis situations as a means of psychological support to communities who have suffered trauma.
is a dance-theatre artist, educator, and a somatic therapist. She grew up doing a range of theatre practices, from Marlowe to The Music Man. Her passion for movement and performance as research led her into modern and postmodern dance and choreography. In recent years her love for text and movement has included experimental productions based on Shakespeare, Melville, and Beckett as well as original autobiographical words, verbatim interviews, and historical research. She did extensive study of dance history, theory, and experimental choreography at UC Riverside and received her MFA in choreography and doctorate in performance studies from UC Davis. As a somatic therapist and educator, she draws on Alexander Technique, Feldenkrais, Body-Mind Centering, Pilates, yoga, and connective tissue massage. She lives in Santa Rosa with her wife and dogs.
has been teaching and performing improv over a decade. She is a member of the Screen Actors Guild (SAG) and the American Federation of Television and Radio Artists (AFTRA) and a Main Stage company member of the nationally acclaimed BATS Improv. Zoe has introduced thousands of people to the magic of improv in the Bay Area and beyond. She is a pioneer in bringing improvisational theatre to the world of business with Unscripted Leaders. Zoe believes the world would be a better place if everyone took an improv class. She studied improv and acting with David Razowsky, Uta Hagen, Keith Johnstone, Rebecca Northan of Loose Moose, SF Mime Troupe, Anne Bogart and the SITI company, BATS, The Groundlings, and The Moscow Art Theatre. Ask her about her dog Mochi!
is a shadow puppeteer, writer, and visual artist. Living in Southeast Asia for 15 years, she studied traditional forms of puppetry, art, and music throughout the region. Since moving to the Bay Area she has performed with ShadowLight Productions in San Francisco and teaches at a wide variety of schools and art programs.
is a performer, voice actor, and teaching artist born and raised in the Bay Area. She has worked locally as an education intern with American Conservatory Theater. While living in New York she worked as an education intern with Atlantic Theater Company, Theatre Askew, TADA! Youth Theater, as well as a press and marketing intern for Joe’s Pub. Her areas of education and training include Practical Aesthetics technique from Atlantic Theater Company, Devised Theater and Acting at ACT, and Advanced Voice-Over at Berkeley Rep. She holds a BA in Theatre from Lewis & Clark College. Adrian is currently pursuing a MA in Drama Therapy at the California Institute of Integral Studies.
is a movement explorer, dancer, and choreographer. She takes pleasure in discovering new ways to move. She is intrigued by how people move by themselves in relationship to others and space. After traveling and studying various dances around the world, Christine earned her BFA in dance from Concordia University (Montréal, Canada) in 2007. The Feldenkrais Method® helped her to recover from a serious injury and a car accident, which allowed her to get back to dance and even circus. This convinced her to become an instructor and practitioner of the Method. She recently graduated with a Master of Fine Arts in Dramatic Arts with specialization in choreography at UC Davis, where she teaches dance and Awareness Through Movement.
is a multifaceted performing artist, director, teacher, and author of Finding Your Funny Bone! The Actor’s Guide to Physical Comedy and Characters. She has studied physical theatre in Paris with Jacques LeCoq, mime with Claude Kipnis, and clowning with Ctibor Turba. She has a BFA from the University of Illinois and a Master’s equivalence. She teaches at Berkeley Rep School of Theatre, ACT Young Conservatory, Academy of Art University, California Shakespeare Theater, Marin Theatre, UCLA, and public and private schools throughout the country. Directing credits include A Servant of Two Masters, Pippi Longstocking, Madeline and the Gypsies, The Caucasian Chalk Circle, as well as numerous original plays about empowering women for young audiences and adaptations based on literature. Nancy performs comedy and vaudeville with her partner, Lol Levy.
Michaela (Mickey) Goldhaber
is the artistic director of Wry Crips Disabled Women’s Theater Group in Berkeley; was the founder and artistic director of Flying Fig Theatre in New York; has worked as an assistant director at Berkeley Rep, American Conservatory Theater, California Shakespeare Theater, and Aurora Theatre; and has an MFA in directing from UCLA.
is a company co-director of Central Works Theater Ensemble in Berkeley. Now in its 12th season, Central Works is dedicated to the development of new works for the theatre. He has written and directed numerous productions with Central Works, UC Berkeley, Hardback Theater, and American Theater Arts in Los Angeles. He holds an MFA in Playwriting from Southern Illinois University and a PhD in directing from UC Berkeley.
is a professional actor and has performed with major regional theatres such as ACT, Aurora Theatre Company, Marin Theatre Company, Westport Country Playhouse, Long Wharf Theatre, and San Jose Rep. Marvin served as an instructor at ACT for over a decade and also teaches at the Academy of Art College and Voice One in San Francisco. Marvin has taught at the Berkeley Rep School of Theatre since 2003.
is a British-American playwright, performer, and teacher. She trained as an actor at the Royal Academy of Dramatic Art, with a MFA from the University of California at Davis. Unusual collaborations in Harrison’s artistic work have allowed her to develop across disciplines (acting, writing, and dance). As performer and playwright, she continues to work internationally (the UK, USA, NZ, and AU). Most notably she has worked with BBC Radio and A&BC Theatre Co in the UK. In the USA, she has worked with Berkeley Rep, Aurora Theatre Company, Woman’s Will, American Conservatory Theater, California Shakespeare Theater, and A Traveling Jewish Theatre. She has performed on Theatre Row in NYC at United Solo Festival, and her work as a playwright has been produced as part of the RADA Festival and in the San Francisco Bay Area.
holds an AA in vocal performance as well as completing his BAs in music education and musical theatre. He has spent the last 10 years performing and educating young performers across the Bay Area. He has had the opportunity to perform in such productions as Rent and In the Heights and co-direct and musical direct such shows as Mary Poppins and Ruined. With a passion for education and authentic expression, Richard is thrilled to be working with the Berkeley Rep School of Theatre.
is a Bay Area-raised director, playwright, teaching artist, and arts administrator. She is currently serving as the associate artistic director and education coordinator at Cutting Ball Theater in San Francisco. Maya received her BA in theater from Wesleyan University, where she was awarded the Rachel Henderson Memorial Prize for Excellence in Directing. Locally, she has worked with Shotgun Players, New Conservatory Theatre Center, Z Space, Bay Area Children’s Theatre, We Players, Spotlight: Girls, and Idiot String. Maya teaches acting, theatre creation, movement, musical theatre, improv, creative writing, and self-empowerment through theatre to children and teens across the Bay.
is the former Artistic Director of Impact Theatre in Berkeley, which specialized in new plays by emerging playwrights and reimagined classics. She holds a PhD in Dramatic Art from UC Berkeley and has taught theatre at Cal, at CSU East Bay, De Anza, and the Berkeley Digital Film Institute in addition to the Berkeley Rep School of Theatre. She’s a contributor to Theatre Bay Area Magazine and blogs as Bitter Gertrude at bittergertrude.com.
has been a teacher for Berkeley Rep, San Jose Rep, Word for Word, TheatreWorks, SF Shakes, and Cal Shakes. He has been seen in such productions as: Food Stories with Word For Word, Around the World in 80 Days with San Jose Rep, House On Mango Street with Teatro Vision, Show Up with New Pickle Circus, The Gate of Heaven with the Old Globe, The Possum Play with Shotgun Players, and Much Ado About Nothing with Shakespeare at Stinson. Gendell has been a company member of Theater of Yugen and The Red Ladder Theatre Company and is also a veteran collaborator of Felonious One Love Hip Hop, with whom he acted in and directed Beatbox: A Raparetta for the Bay Area and New York Hip-Hop theatre festivals.
William Thomas Hodgson
is an artist, an activist, and an educator. He has appeared locally at Berkeley Rep, Cal Shakes, TheatreWorks, Shotgun Players, and Berkeley Playhouse. He has led training for all ages in acting, movement, public speaking, imaginative play, and more at Berkeley Playhouse, UCSD, ACT, PCPA, and recently Park Day School. Acting credits include An Octoroon (Mixed Blood), Ragtime (PCPA), The Hunchback of Notre Dame (La Jolla), El Henry (San Diego Rep), and I Am My Own Wife (Ubuntu). He trained at PCPA, Santa Fe University, and UCSD. William is the Co-Artistic Director of Ubuntu Theater Project in Oakland, CA. Peace.
is a physical theatre creator, slapstick acrobat, and clown. She is a graduate of Flying Actor Studio’s Physical Theatre Conservatory and a student of red nose clown and pedagogy with master teacher Giovanni Fusetti. Joan is core faculty at SF Circus Center’s Clown Conservatory, is a slapstick choreographer and props designer for Bay Area Children’s Theatre, and works as a hospital clown with the Medical Clown Project. She is co-creator of Idiot String, an ensemble theatre company devoted to inciting delight and activating meaningful human connection through play.
has been acting and teaching since graduating from American Conservatory Theater. He has performed with Berkeley Rep, ACT, the Magic Theatre, Marin Theatre Company, Aurora Theatre Company, and throughout the Bay Area. In addition to the Berkeley Rep School of Theatre, Andrew has taught at ACT, Academy of Art University, and the Nueva School.
is a movement artist, performer, choreographer, and dancer. Hien began as a self-taught free form mover with exposure to break dance, contemporary, and hip hop. He holds a BA in Dramatic Arts: Dance and Theater and also a BA in Communication. Hien has performed professionally in the works of Kim Epifano, Robert Moses’ Kin, Raissa Simpson, Kinetech Arts, Angela Dice Nguyen, John Jasperse, Bob McGrath, and Qudus Onikeku. He is also a member of Axis Connect 2016 in Los Angeles. Hien is a 2017 solo artist recipient of the Bay Area CA$H Grant. Using movement as a medium to communicate the unspoken, he hopes to closer link the human to human-heart to heart connection.
is a professional actor, filmmaker, theatre administrator, and teaching artist. At Berkeley Rep he serves as the Program Manager, Training and Community Programs. Previously he was at Arena Stage in Washington, DC. There, he taught in all of the Community Engagement department’s programming while also serving as the Training Programs Manager and previously as the Partnership Manager. He has taught for several summers at the State Theatre of Georgia’s Springer Theatre Academy, Camp Arena Stage, and has also taught numerous workshops for students around the country as a member of the National Players. Anthony has traveled to India and Croatia as a guest artist with the U.S. Department of State, devising original plays with Arena Stage’s Voices of Now program. As an actor he has toured the U.S. and has performed with the Shakespeare Theatre Company, Olney Theatre, Arena Stage, and other regional theatres. Anthony has acted in several short films as well as training videos for branches of the United States Military. He has also directed and produced training videos for hotels and beverage companies.
has been a freelance scenic designer, combining the art of storytelling with a compelling environment, collaborative processes, and the dynamics between collaborators. She has been designing predominately in San Francisco, NYC, and Philadelphia, designing over 100 productions, many of which were world premieres, over the last 20+ years. Her designs have been seen on a variety of stages including La Jolla Playhouse, San Francisco Mime Troupe, California Shakespeare Theater, Cornerstone Theatre, and InterAct Theatre. In NYC, she has designed off Broadway at the Clurman, HERE Arts Center, La Mama, 45th Street Theatre, and the Triad. Her designs and devised works have been performed at the Beijing International Fringe and the Singapore International Fringe. She is the director of the New Play Design Lab at the Bay Area Playwrights Foundation, and is a co-founder of Crowded Fire Theater Company, which has been producing and commissioning new works for over 20 years. She has the honor of having her work chosen to represent the United States at the 2019 Prague Quadrennial of Performance Design and Space, the largest performance design event in the world. Among her many nominations and awards are two San Diego Playbill Awards, two Bay Area Critics Circle nominations, a Barrymore nomination, and the honor of Best Set Designer from The East Bay Express.
is a professional improviser with 20+ years of experience. He is the former artistic director of BATS Improv, San Francisco’s longest running and most-acclaimed improvised theatre company, and cites Keith Johnstone as one of his biggest influences. Kasey’s easy going nature and passion for improvisation helps create a playful space for students of all levels to explore their inherent creativity and take risks in a positive and supportive environment.
is a playwright whose work, including Salamander Leviathan, Clementine and the Cyber Ducks, Phantom Band, Un-Hinged: A Silent Opera, and Anaerobic Respiration, has been produced at Joe’s Pub at the Public Theatre, Ars Nova, Alley Theatre, Ontological Hysteric Incubator, Hangar Theatre, Dixon Place, WordBRIDGE, The Playwrights’ Center of San Francisco, and the NYC Fringe Festival, among others. Krista received her BA from Brown University, her MA in Performance Studies from NYU, and her MFA in Playwriting from UC San Diego. She is a Page 73 Playwriting Fellow, MacDowell Fellow, and Shank Playwriting Fellow at the Vineyard Theatre and teaches playwriting at St. Mary’s College.
is the director of Tectonic Theater Project’s Moment Work Institute. A theatre artist and arts educator with over fifteen years’ experience in arts education, she was the artistic director of the Virginia Avenue Project in Santa Monica where she produced and directed three to four original theatre productions per year and launched several in-school playwriting residencies and innovative collaborations with other arts organizations. Laurie directed the acclaimed solo show Old Man in a Baseball Cap by Fred Rochlin at Actors Theatre of Louisville and La Jolla Playhouse, and has also taught at Highways Performance Space in Santa Monica and at Central Juvenile Hall in Los Angeles. Laurie was the founding creative director of the Berkeley Rep School of Theatre and is a graduate of Northwestern University.
is an actor and theatre educator. Originally from the San Francisco Bay Area, she has performed locally with such companies as the American Conservatory Theater, Berkeley Repertory Theatre, Center Repertory Company, California Conservatory Theatre, Livermore Shakespeare Festival, Marin Theatre Company, and TheatreWorks, among others. In farther locales, she has appeared with Key West Theater (Florida), Elephant Theatre Company (Los Angeles), and Theatre 167 (New York City). As a teaching artist she has taught throughout the Bay Area for American Conservatory Theater, San Francisco Shakespeare Festival, and California Shakespeare Theater. She also serves as adjunct faculty with UC Davis’ Department of Theatre and Dance, as well as the Cañada College’s Theatre Arts Department. Michele is a Resident Artist with the San Francisco-based ensemble company Crowded Fire Theater and a core member of Bay Area Latino Theatre Artists Network (BALTAN).
is a theatre director, producer, and arts educator dedicated to connecting people to one another through creative storytelling. She creates and directs ensemble plays with her company, Idiot String, and the Samuel Peaches’ Peripatetic Players, a travelling troupe that performs in Bay Area parks. Other Bay Area directing credits include New Conservatory Theatre Center, Hatch Collective, SF Theater Pub, the One-Minute Play Festival, Ragged Wing Ensemble, Boxcar Theatre, Dragon Productions, and others. Rebecca holds a Master of Arts in Text and Performance Studies from King’s College London and the Royal Academy of Dramatic Art.
is well known in the Bay Area as a professional actor and director specializing in Shakespeare. He holds the rare distinction of having appeared in professional productions of all 38 of Shakespeare’s plays and has directed some 20 of them. He had a long association with California Shakespeare Theater and served as its Associate Artistic Director for several years. Julian has taught Shakespeare as literature at Mills College and classical acting technique at UC Berkeley, San Jose State, Foothill College, Solano College, and Dominican.
is the resident fight director at San Francisco Opera, California Shakespeare Theater, and a company member with Shotgun Players. He has won several awards for Fight Direction and has choreographed violence for several Berkeley Rep productions, including Pericles, Prince of Tyre and Troublemaker, or the Freakin Kick-A Adventures of Bradley Boatright. His work has been seen at ACT, La Jolla Playhouse, San Jose Rep, Magic Theatre, and Aurora Theatre Company, among others. He is a Full Instructor of Theatrical Combat with Dueling Arts.
is an actor, director, clown, and teaching artist. She received her BA in Theatre from Ohio Wesleyan University and her MFA in Dramatic Art from University of California, Davis. Some of her favorite roles include Bananas in The House of Blue Leaves, Sir Toby Belch in Twelfth Night, Annette and Veronica in God of Carnage, and B in Three Tall Women. JanLee’s work as a teaching artist includes all levels of acting and clowning at a variety of schools and theatres, including Florida Studio Theatre, California Theatre, Key Players North Carolina, Kaiser Permanente’s Educational Touring Program in Washington DC, Meher Schools, UC Davis, and B8 Theatre Company. JanLee is a graduate of the Ringling Bros. and Barnum & Bailey Clown College, and although rarely seen “in face” these days, she brings her love of clowning and comedy to life throughout her theatrical endeavors. JanLee currently serves as the Artistic Director for B8 Theatre Company in Concord, CA.
is an RF engineer by day and a sound engineer by night who enjoys the ins and outs of all technology. He consistently worked in sound engineering for a solid 12 years and continues to partake in the arts even though he no longer sits behind a sound board. His interest in podcasting is to help teach/produce the next level of podcasters with the quality that may be missing in the world.
has served as Berkeley Rep’s managing director since 1990, leading the administration and operations of the Theatre. She has served as president of the League of Resident Theatres (LORT) and treasurer of Theatre Communications Group (TCG), organizations that represent the interests of nonprofit theatres across the nation. Susan chaired panels for the Massachusetts Arts Council and has also served on program panels for Arts Midwest, the Joyce Foundation, and the National Endowment for the Arts. Closer to home, Susan serves on the board of the Downtown Berkeley Association (DBA). She is the founding chair of the Berkeley Arts in Education Steering Committee for Berkeley Unified School District and the Berkeley Cultural Trust. Susan serves on the faculty of Yale School of Drama and is a member of the International Women’s Forum and the Mont Blanc Ladies’ Literary Guild and Trekking Society. She was awarded the 2012 Benjamin Ide Wheeler Medal by the Berkeley Community Fund and the 2017 Visionary Leadership Award by TCG. During her time in Berkeley, Susan has been instrumental in the construction of the Roda Theatre, the Nevo Education Center, the renovation of the Peet’s Theatre, and in the acquisition of the Harrison Street campus. She also worked with three consecutive mayors to help create Berkeley’s Downtown Arts District.
is an actor/playwright based in New York City. He has appeared on Berkeley Rep’s mainstage multiple times, including the recent production of Metamorphoses. He has also acted with such companies as American Conservatory Theater, Actors Theatre of Louisville, Yale Rep, Long Wharf Theatre, and many more. Alex’s plays have appeared off Broadway and regionally. His most recent production, The Boatman (an adaptation of a Greek myth, which he wrote for Berkeley Rep School of Theatre’s Summer Intensive), recently opened to critical acclaim at Flint Repertory Theatre. Alex holds an MFA in acting from ACT.
Colum Parke Morgan
is happy to be back in the US, as a recent transplant to San Francisco. After working regionally for many years with an MFA in American Realism, Colum moved to Paris, France for six years and embarked on a study in European and Russian theatre methodologies. He studied with many great teachers, including Gennadi Bogdanov, Sergei Ostrenko, Norman Taylor, Theatre De L’Ange Fou, Robin Carr, as well as École Internationale de Théâtre Jacques Lecoq. Now he returns to the US as a graduate of Integral Movement and Performance Practice (IMPP) from the Thomas Prattki Center in Berlin, Germany. As an actor, Colum has worked internationally. In Paris, Colum worked in many new works, including immersive theatre at the Centre Culturel Irlandais with Cinémorphe. He was a company member with Big Funk Company and NEW! The Improvised Musical, he toured France with Z Space’s Word for Word, and worked for many years as a resident actor with the award winning Compagnie Oz. Regionally in the US, Colum has been a resident actor with PCPA, and performed many shows with Austin Shakespeare, Oregon Cabaret Theatre, ZACH Theatre, Jarrott Productions, and State Theatre. He brings together a deep understanding of theatrical methods and the ways they overlap and are unique, supported with recent findings in psychology, neurology, and behavior sciences. He received his MFA from University of Texas, Austin.
has directed at various regional theatres including Shakespeare Santa Cruz, Utah Shakespeare Festival, Lake Tahoe Shakespeare Festival, Virginia Stage Company, Next Act Theatre, Great Lakes Theater, Idaho Shakespeare Festival, Merrimack Rep, the Kennedy Center, Clarence Brown Theatre, Round House Theatre, the Studio, and Milwaukee Rep where he was associate artistic director for six years and directed nearly 30 plays. He and his works have been honored with Helen Hayes Awards and nominations, and he was a Drama League of New York Directors Project Fellow. He has written adaptations and plays that have been produced at regional theatres, universities, and filmed for Public TV including Way Downriver: William Faulkner’s “Old Man,” which was recently produced at North Coast Rep; A Rising Wind co-written with John Kishline; A Christmas Carol co-written with Joe Hanreddy; Sounding River; Appalachian Voices; An Irish Reunion; and The Last Ride of the Bold Calhouns. Edward has worked as a teacher and guest artist at numerous graduate and undergraduate programs and frequently conducts master classes. Internationally, he toured India as an actor and director through the U.S. State Department and has directed and taught in Costa Rica and the Dominican Republic. He is a member of SD&C and AEA, a casting partner for Cirque du Soleil, and is on the roster of Fulbright Specialists.
spent nearly a decade working as a professional actor and singer in New York after spending a decade in the classical music and theatre world in San Francisco. Now that she’s back home in California, she performs regularly and was seen last summer in the world premiere of the new musical A Walk on the Moon at American Conservatory Theater, as well as at her sold-out cabaret show at Feinstein’s at the Nikko. She has performed throughout California and New York City, including as a soloist in Imant Raminsh’s Symphony of Psalms at Carnegie Hall. A longtime fan of Kurt Weill’s music, she won second place in the International Lotte Lenya Competition. Favorite roles include Mrs. One & Two u/s in Adding Machine (off Broadway), Ms. Wilde in Flashdance the Musical (first national tour), Franca in The Light in the Piazza (Arena Stage and TheatreWorks), Aldonza in Man of La Mancha (Flat Rock Playhouse, North Carolina), Jenny in The Threepenny Opera (Marvel Rep, New York, Drama Desk nominated), and the title role of Carmen (San Francisco Lyric Opera).
is an award-winning writer/director/actor who has worked on over 100 theatrical productions and films. His shorts have appeared in festivals throughout the United States and Europe. He has been commissioned for feature scripts, multiple short scripts, pilots, and a full-length play that premiered in Melbourne, Australia. His theatrical directing has been seen on both coasts and in Chicago. He has worked with and trained top Hollywood talents such as Emily Deschanel, Dan Folger, and Diane Ladd. His directing has been called “a brave move towards a different style of theatre,” and Cirque du Soleil called him “a huge asset to the creative process.” He is currently writing a book on middle class artists in America, which will see print in 2015.
serves as Chief Producer for Yerba Buena Center for the Arts, envisioning and implementing strategies to fulfill YBCA’s role as a citizen institution in the city’s neighborhoods, schools, and throughout the civic realm. Prior to YBCA, Jonathan served for 16 years as Artistic Director of California Shakespeare Theater, where he directed nearly 20 productions. He has directed at theatres across the country including Berkeley Repertory Theatre, Alley Theatre in Houston, American Conservatory Theater, Magic Theatre, Campo Santo, Milwaukee Repertory Theater, and Huntington Theatre in Boston. A graduate of the Yale School of Drama with an MFA in Directing, he received the inaugural Zelda Fichandler Award by the Stage Directors and Choreographers Foundation in 2009, for “exceptional contribution to the national arts landscape through regional theatre work.” His teaching credits include: Berkeley Rep School of Theatre, ACT’s MFA Program, and the Yale School of Drama. He has served on the national board of Theatre Communications Group in New York City and currently serves on the boards of the San Francisco Film Commission, Alice Waters’ Edible Schoolyard Project, and the Homeless Prenatal Program.
is an actor, director, clown, educator, and arts advocate with 10 years of experience in the professional theatre world. He has worked with organizations such as the John F. Kennedy Center for Performing Arts, American Repertory Theater, Geffen Playhouse, 59E59, Peoples Improv Theater, Berkeley Repertory Theatre, and the Department of Defense. He is the artistic director emeritus of Everybody Nose: NYC, a clown ensemble in New York. He has a Bachelor’s Degree in Acting and Directing from UCLA School of Theater, Film, and Television and a Master’s in Education from Harvard University.
is an actor, choreographer, dancer, and story-teller in live theatre and film. Joe started as a boxer, Welterweight Champion of the US Air Force, before turning his athleticism to dance, especially tap. Joe has performed with the Smothers Brothers, Lilianne Montevecchi, Melissa Manchester, Michael Davis, Bill Irwin, Joan Baez, and others; tap-danced with Gregory Hines, Savion Glover, Nicholas Brothers, and Michelle Dorrance; and has been directed by Woody Allen, James Mangold, Tim Boxell, Jeremiah Chechik, Stefan Haves, and David Shiner. During 2013–18, Joe conceived, directed, choreographed, and performed his original works 147, In My Corner, The Boxer, Roughing It Up, and STReeT/FeaT in US and European theatres. Joe choreographed and was guest artist and boxing consultant in Terrence Blanchard’s opera Champion at SFJazz and reprised his featured role in 2017 at the Kennedy Center in DC. He recently choreographed The Royale at Aurora Theatre, Berkeley. Joe has an MFA from USC’s School of Dramatic Arts. When not on stage, Joe can be found in the classroom, community center, or boxing gym. Through Joe Orrach Performance Project, he reaches hundreds of students with programs that help them tell their own stories through rhythm, movement, and voice. He is the recipient of Dance Studio Life’s Generous Heart Award for his teaching.
has been involved in theatre since she was 6 years old and has never looked back. From acting to stage managing to directing, Mallory has always felt at home working with young actors exploring the wonders theatre can offer. While attending school, Mallory founded and ran a theatre program at Earhart Elementary School in Alameda. She is a graduate of UC Berkeley with a degree in Theater and Performance Studies. Mallory currently works as a teaching artist with companies such as Tomorrow Youth Repertory and Throckmorton Theatre.
is a local and international award-winning performing artist and instructor. He grew up in Berkeley and upon graduating from UC Santa Cruz with a BA in Theatre Arts, he began his circus training at the San Francisco Circus Center (SFCC). Since 1997, Slater has taught children circus arts at SFCC, Make-A-Circus, Trapeze Arts, Head Over Heels, Teatro Zinzanni, and the Kinetic Arts Center. Slater was a body performer for motion capture with Tech TV, earning an Emmy Award in 2000 for “Specialty: Technical Achievement.” He currently performs both nationally and abroad in his two award-winning creations, Le Projet Migration and The Submarine Show.
is a two-time Obie Award-winning writer and director who is currently the associate director at Berkeley Rep. Previous projects at the Theatre include It Can’t Happen Here (2016); An Iliad (2012), which Lisa co-wrote with Denis O’Hare, and which won Obie and Lortel Awards for Best Solo Performance; Mother Courage (2006); The Fall (2001); and Antony & Cleopatra (1999). For California Shakespeare Theater, Lisa directed You Never Can Tell, King Lear, The Winter’s Tale, All’s Well That Ends Well, and Love’s Labour’s Lost. Other recent West Coast productions include Hamlet, Henry IV Pt 2, and Othello (Oregon Shakespeare Festival); and Chavez Ravine (Ovation Award for Best Production), Palestine New Mexico, Electricidad, Water & Power, The House of Bernarda Alba, Body of Bourne, and Mules (Mark Taper Forum). In New York, Lisa has directed The Trestle at Pope Lick Creek, Traps, and Light Shining in Buckinghamshire (Obie Award for Direction), all at New York Theatre Workshop; King Liz (2nd Stage Uptown); Hamlet in Bed (Rattlestick Playwrights Theater); To the Bone (Cherry Lane Theatre); The Patron Saint of Sea Monsters and The Chemistry of Change (Playwrights Horizons); The Square and Tongue of a Bird (the Public Theater); Fourth Sister and Batting Cage (Vineyard Theatre); Collected Stories (Manhattan Theatre Club); and The Model Apartment (Primary Stages). In Canada, she recently directed The Philanderer (Shaw Festival) and The Trouble with Mr. Adams (Tarragon). She has directed world premieres by many major American writers, including Tony Kushner, Beth Henley, Donald Margulies, Jose Rivera, Ellen McLaughlin, Mac Wellman, Marlane Meyer, Polly Pen, Naomi Wallace, and many others. She regularly works at the Guthrie Theater, Actors Theatre of Louisville, Long Wharf Theatre, Yale Repertory Theatre, Hartford Stage, Seattle Repertory Theatre, Arena Stage, O’Neill Playwrights Conference, Ojai Playwrights Conference, and Sundance Theatre Lab. Lisa and Denis are working on a commission for the McCarter Theatre titled The Song of Rome, and Lisa is writing a new music-theatre piece with Todd Almond called The Idea of Order, co-commissioned by La Jolla Playhouse, Berkeley Rep, and Seattle Rep.
Lisa Anne Porter
is co-head of Voice and Dialects at American Conservatory Theater and also serves on the graduate, undergraduate, and Global Studies faculties at UC Davis. She is a Designated Linklater voice instructor and has taught at Shakespeare & Company, Syracuse University, Naropa University, San Francisco State University, and the Tepper Center in NYC. She has professionally coached over 50 productions in voice and dialect. She has performed with numerous repertory companies and Shakespeare festivals, including ACT, California Shakespeare Theater, Shakespeare Santa Cruz, Magic Theatre, Marin Theatre Company, and San Francisco Shakespeare Festival. She has her own professional coaching business and has coached professionals in many fields in their spoken communication skills.
Amy Potozkin, CSA
is in her 30th season at Berkeley Rep. Through the years she has also had the pleasure of casting plays for ACT (Seattle), Arizona Theatre Company, Aurora Theatre Company, B Street Theatre, Bay Area Playwrights Festival, Dallas Theater Center, Marin Theatre Company, the Marsh, San Jose Repertory Theatre, Social Impact Productions Inc., and Traveling Jewish Theatre. She worked on various independent films, including Conceiving Ada, starring Tilda Swinton; The 8th Year of the Emergency by Maureen Towey; Haiku Tunnel and Love & Taxes, both by Josh Kornbluth; and Beyond Redemption by Britta Sjogren. Amy received her MFA from Brandeis University, where she was also an artist in residence. She has been an audition coach to hundreds of actors and a presentation/communication coach to many businesspeople. Amy taught acting at Mills College and audition technique at Berkeley Rep’s School of Theatre, and has led workshops at numerous other venues in the Bay Area. Amy is a member of CSA, the Casting Society of America, and received an Artios Award for Excellence in Casting for Angels in America and Artios nominations for The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures; One Man, Two Guvnors; and An Octoroon.
has been performing and teaching at BATS Improv since 1989. She created a specialty long-form program with a focus on intimate acting and stage combat, which has attracted an international following. She has led workshops in Melbourne, Paris, Amsterdam, and Helsinki and has taught at ACT and Stanford. Diane is a founding member of San Francisco improv group True Fiction Magazine.
is a professional actor, teacher, and coach who has worked consistently in the industry for over 30 years. Kenneth began his career 30 years ago in the seminal coming-of-age television drama, Fame. His acting credits include over 35 film and television productions (U.S. and Australia), including Gods of Egypt with Geoffrey Rush, Gerard Butler, and Chadwick Boseman; China Beach with Dana Delaney and Michael Boatman; and Equal Justice with Sarah Jessica Parker and Joe Morton. He recently appeared in Doctor Doctor for Australian Channel 9 and Childhood’s End for the Syfy Channel. In addition to the Mark Taper Forum in LA and Shakespeare & Company in Massachusetts, his stage credits include almost every major performance company in Australia, including Melbourne Theatre Company, Bell Shakespeare, and Belvoir St Theatre (Sydney), Black Swan State Theatre Company (Perth), Queensland Theatre (Brisbane), and Opera Australia. Titles include Glengarry Glen Ross, Angels in America, The Motherfucker with the Hat, Metamorphoses (with Mary Zimmerman), McReele, Take Me Out, Boy Gets Girl, and Stuff Happens. Kenneth has taught acting and screen performance at The Colorado College in Colorado Springs, Melbourne Theatre Company, Victorian College of the Arts (Melbourne), St Martins Youth Arts Centre (Melbourne), Western Australian Academy of the Performing Arts, and Queensland University of Technology (full-time lecturer).
was born on Maui and moved to Marin as a child and fell in love with the Bay Area. She attended Mills College (Oakland) for both her undergrad and graduate studies in pipe organ performance, studying under Sandra Soderlund. Grace is the music director at Notre Dame des Victoires, music director and organist for the Spanish Mass at St Mary’s Cathedral, and choir director and musical theatre music director for Convent/Stuart Hall High School. Her specialties are bringing out the voice of the individual and blending the voices of a group into a refined expression of harmony and truth through music. In 2018, Grace started her own group called Soulshine. It is an intergenerational choir that sings gospel arrangements of songs from all genres to uplift the heart and inspire the soul.
holds a BM in Vocal Performance and has studied beneath world renowned singers, to include: Nicole Cabell, George Shirley, Michelle DeYoung, Jennifer Black, and more. She has spent the last 13 years performing and educating young performers across the US. She has been nominated three times for Best Actress in a Musical for her take on Sarah in Ragtime. With a passion for personal empowerment through performance, Marissa is thrilled to be back with Berkeley Rep School of Theatre after holding the assistant director position in the Summer Intensive.
recently moved to the Bay Area after 10 years as a union actor in NYC where she starred in the award-winning films Video, Apathy, and The Great Love Rosemary, and performed in numerous stage productions. She can also be seen in The Knick, Damages, Bored to Death, and the feature film We Only Know So Much. Directing credits include The Pavilion, called a “tantalizing revival” by the New York Times, Dying City, and Gruesome Playground Injuries, among others. She wrote and performed her one-woman show, The Goldilocks Effect, at The Barrow Group Theatre Company where she also taught acting.
is an award winning actor and teaching artist with over thirty years’ experience. He has appeared in over a hundred productions at theatres across the country, Off-Broadway, and here in the Bay Area with American Conservatory Theater, Berkeley Repertory Theatre, California Shakespeare Theater, Marin Theatre Company, SF Playhouse, and TheatreWorks. He has appeared on television in Law & Order, Deadline, and Conviction.
(AEA, BAE, SAG/AFTRA) trained with ACT’s first Young Conservatory class and the Guildhall School of Music and Drama in London. Working extensively in film, television, and theatre, including the Royal Shakespeare Company and Theatre Complicte as well as West End and regional productions, his film and television credits include over 25 films and being a regular on three television series. Among others, he has worked with Tom Cruise, Brian De Palma, Vin Diesel, Tom Hanks, Daryl Hannah, Helen Mirren, Trevor Nunn, Ryan Reynolds, and Steven Spielberg. A director in both theatre and film, he has also been a private tutor and coach for over 20 years teaching including the Drama Lab (London) and the Guildhall School of Music and Drama (London). Currently, he is an Adjunct Professor of Drama at Ohlone College, teaches at the Berkeley Rep School of Theatre, SFAA, and the Royal Central School of Speech and Drama in London.
Lindsey Marie Schmeltzer
is an actor and teaching artist based out of the Bay Area. Lindsey teaches with Berkeley Repertory Theatre, Cal Shakes, Livermore Shakespeare’s So Wise So Young in-school Shakespeare program, and Town Hall Theatre. Lindsey has performed with Sacramento Theatre Company, Shakespeare Napa Valley, Texas Shakespeare Company, and Milwaukee Repertory Theater. She has a BA in Musical Theatre from California State University, Chico, and was the education intern for Milwaukee Repertory Theater for their 2012–13 season, where she taught reading skills through acting to low income schools.
loves dance as a language full of vividnesss! She is a Swiss contemporary dancer, improvisor, choreographer, and professor of dance. Awarded with several prizes she is touring with her company, Brigitta Schrepfer’s SOMAFON, in Switzerland and abroad. Her works such as, Onkel & Tanzen, Les Amuse Bouches, and Girls Games are highly innovative, dynamic, and humorous. She teaches contemporary dance technique, movement improvisation, anatomy, and dance history at Zurich University of the Arts and at University of Music in Basel.
holds a Master’s degree in Physiological Psychology and Alexander Technique Teacher Certification from Frank Ottiwell (2003). Elyse is on the faculty of American Conservatory Theater’s MFA program and maintains a private Alexander Technique practice in San Francisco and Berkeley. Her background as a modern dancer and training in psychology, yoga, and Mindfulness Based Stress Reduction influence her approach to teaching.
is a playwright, actor, and producer best known for The Gathering, produced on Broadway in 2001. He has written sit-coms for ABC along with his plays: A Catered Affair, produced Off Broadway, and Magic Hands Freddy, Soho Playhouse starring Ralph Macchio. Moolah is soon to open in New York in 2017; Marriage In Play is being workshopped regionally, and his one-man show, Freddy Goes Solo, is being developed at the Marsh and Stage Werx in San Francisco. He is currently co-producer of the new hit musical Love Sick at the Osher Studio and Mountain View Center for the Performing Arts. Arje is the creator and producer of The Sonnet Man, a hip hop Shakespeare fusion starring spoken word poet Devon Glover. In collaboration with artist Maggie Silverman and Devon Glover, Arje is writing “Billy Eats the Big Apple,” a children’s guide to New York City through rap.
is an actress, writer, and creativity educator who combines improv theatre, behavioral sciences, and mindfulness to create dynamic trainings for businesses and institutions. She studied theatre and psychology at Sarah Lawrence College in New York and earned an MFA in Dramatic Art from UC Davis. While at Davis, she spearheaded an applied improv-based training program for the Graduate School of Management. In 2013 she founded Pro-CreativeArts—an applied theatre organization—and is hired throughout the United States to lead trainings that foster creativity, collaboration, and communication for teams and leaders. Born into an iconic theatre family, she brings to her classes a unique body of experience gained from creating and performing theatre professionally since childhood. Her solo comedy recently won Best of Fringe at the 2016 San Francisco Fringe Festival. Her theatre credits include lead actor and co-author of four plays for “Prize of Hope”-winning company Human Nature and co-founder of the ensemble-driven theatre company Rococo Risqué, winner of SF Weekly Best Theater Ensemble 2005. Joyful has also appeared as an actor in many projects on stage and film, including Odyssey Works, an immersive theatre project; The Pursuit of Happiness, with Will Smith; and Spring Awakening, directed by Broadway and West End director Stafford Arima.
graduated from Mills College and US Naval Academy. He is the writer of Vs., produced by TheatreFIRST in their 2016–17 season. His short plays have been featured in the 2012 PlayGround and the 2015 Ohlone College Playwrights Festivals. He lives in Oakland and teaches in the English department at Berkeley City College.
M. Graham Smith
is a San Francisco-based director, educator, and producer. He is an O’Neill National Directing Fellow and an Oregon Shakespeare Festival FAIR Fellow. He’s directed at HERE in New York City and venues in San Francisco, including American Conservatory Theater, Aurora Theatre, Crowded Fire, Central Works, EXIT Theatre, PlayGround, Brava, The Playwright’s Foundation, Cutting Ball Theater, Ray of Light, Berkeley Playhouse, Golden Thread, San Francisco Opera, New Conservatory, and The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work. He directed the West Coast premiere of Jerry Springer: The Opera in San Francisco and Truffaldino Says No at Shotgun Players, winning a Best Director award from the Bay Area Critic’s Circle. Recent credits include The Lady Onstage at Profile Theatre in Portland, Oregon; The Liar, adapted by David Ives at Occidental College in Los Angeles as an Edgerton Foundation Fellow; and Deal with the Dragon at Edinburgh Fringe Festival.
is a professional actor, teacher, director, and dialect/text coach. Lynne has taught for a variety of schools and theatre companies, including Berkeley Rep, ACT, PCPA Theatrefest, San Jose State University, Stanford University, California and Marin Shakespeare Theaters, The Voice Factory, Voicetrax Studios in Marin, and various schools throughout Alaska. She has served as dialect, text, and/or voice coach for over 285 productions at theatres across America, including ACT, Berkeley Rep, San Jose and Seattle Repertory Theatres, SF Opera, the Old Globe (San Diego), Dallas Theater Center, Arizona Theatre Company, Magic Theatre, Denver Center, Marin Theatre Company, San Jose Stage, California Shakespeare Theater, and the world premiere of The Laramie Project in Denver and New York, and for several motion pictures including Fruitvale Station (2013), Duets, and Metro, and an upcoming Netflix miniseries 13 Reasons Why. A proud member of Actors’ Equity for 35 years, she is the recipient of their Lucy Jordan Humanitarian Award for her work with actors, and holds an MFA from ACT.
is an internationally acclaimed performing artist, director, and educator, bringing the eccentric arts (circus, vaudeville, physical theatre, mask, and more) to four continents and counting. Nikolas has been featured in Zoppe Circus, Circus Avalon, Barzirk, Burlesque Idol Australia, and TV’s MythBusters. Local roles include Banquo in We Players’ Macbeth at Fort Point and the vaudevillian Emcee Eddie in Boxcar Theatre’s immersive cult hit The Speakeasy. Nikolas is a graduate of UCSC and The Flying Actor Studio, co-founded San Francisco’s Main Street Theatre, and has taught at San Francisco’s Circus Center, the Nueva School, and workshops at Stanford University. He is currently a faculty member at the Clown Conservatory, teaching Mime and Clown to professional circus artists, and he occasionally tours as the adults-only, improv-vaudevillian The Incredible Feelzo: Man of Moderate Talent.
holds a BA from St. John’s College and an MFA in Staging Shakespeare (emphasis directing) from Exeter University. A professional drama teacher, math tutor, and director, she has worked around the Bay Area for such organizations as the Cal Shakes Summer Conservatories, Porchlight Theatre Company, and the San Francisco Olympians Festival. Libby is also the co-founder of Those Women Productions, an independent theatre company based in Berkeley.
initially came to theatre through singing, first with San Francisco Boys Chorus, and then with Kairos Youth Choir. This led to an audition for Berkeley Rep’s Brundibar. The wonderful creation, direction, and ensemble and excitement of a world premiere ensured that Gabriel was bitten by the theatre bug. He was later cast as The Boy in The Pillowman, and served as understudy in Troublemaker, also with Berkeley Rep. After acting in numerous high school projects and participating in independent theatre productions in Berkeley as well, Gabriel continued at University of Puget Sound as both a performing actor and theatre arts and French major. Gabriel is a practitioner of capoeira and an avid basketball player in addition to being a fluent French speaker. Recently graduated, Gabriel has worked as both assistant and teaching staff with Berkeley Rep School of Theatre for over seven years and is happy to be back at his second home.
is a Los Angeles-based actor who has taught acting workshops in the Bay Area for over 10 years. As a teacher he explores cutting-edge acting techniques—believing that we live in an evolving universe and that acting must have its own evolutionary trajectory. He has pursued integrative techniques that connect body, mind, emotion, and spirit to the various aspects of spatial and interpersonal relationships on stage. James also believes the creative process can be more than just a craft and a profession, but also a sacred process and a transformative practice. He is an MFA graduate of American Conservatory Theater and has a PhD in Transformative Studies from California Institute of Integral Studies.
is a director, arts producer/administrator, actor, fight choreographer, educator, and ensemble theatre maker. Bay Area ensemble theatres that Joshua is working with are Ragged Wing Ensemble, recently closing Time Sensitive by Amy Sass, and Fools Fury, acting in the upcoming September/October regional premiere of Dionysus Was Such A Nice Man by Kate Tarker. Joshua serves as Company and Production Manager of Ragged Wing Ensemble. As a director Joshua has created/devised the ensemble works Perspective, which investigates reactions to the overview effect, as well as Under Construction 2017: A Collage of America Today. Joshua is a former company member of Fly-By-Theatre in Atlanta, which devised productions at the intersection of theatre and dance. Joshua holds an MFA in Directing for Stage and Screen from the Johnny Carson School of Theatre and Film at UNL. Joshua is an Associate Member of the Stage Directors and Choreographers Society, an Actor/Combatant and member of the Society of American Fight Directors, and a 200-hour Classical Yoga Teacher.
is an actor, rapper, playwright, director, producer, and educator. His work crosses artistic and cultural borders to combine conventional theatre styles with the themes, language, music, history, politics, and aesthetics of the Hip-Hop generation. Dan is a founding member of the critically acclaimed Hip-Hop music and theatre collective Felonious. Dan is currently developing Curren$y, an all female Hip-Hop adaptation of Shakespeare’s Merchant of Venice. His play Daylighting was produced by Shotgun Players in 2014. His play Stateless, a Hip-Hop and beatbox-infused theatrical collaboration with Tommy Shepherd, balancing German and Jewish history with the problems of racism and the African American experience, has been produced in San Francisco, Hamburg, and New York. His play Angry Black White Boy, based on the novel by Adam Mansbach, premiered at Intersection for the Arts in October 2008, ran for 12 sold-out weeks, and was named Top Ten Best Theater Plays by the San Francisco Chronicle and San Francisco Examiner. His play Beatbox: A Raparetta (co-authored with Tommy Shepherd) has been produced in San Francisco, Oakland, Petaluma, Germany, and at the New York Hip-Hop Theater Festival.
What parents and students say about School of Theatre faculty
“[The instructor] was great at stopping people and pushing people while still being encouraging, and was astute about who to push further. It felt like individualized instruction in a group format.”
On-Camera Acting, Summer 2018
“The instructor held the space really well—he made me feel very safe while we experimented with exercises that involved vulnerability.”
Acting Intensive, Spring 2018
“It was a wonderful class! [The instructor] was great at ‘diagnosing’ exactly what each student needed in order to move to their particular next level.”
Voice for Performance, Spring 2018
“I learned an enormous amount about directing, techniques for handling actors, interpreting scripts, the process of putting a play together, etc.”
Directing, Spring 2018
“I felt welcomed and accepted. I anticipated a fine, interesting, and engaging class—but to find myself amidst such a nurturing environment just kind of released all kinds of delightfully artistic and creative juices.”
Voice Over, Spring 2018
School of Theatre major sponsors
Walter & Elise Haas Fund
Jonathan Logan Family Foundation
The Woodlawn Foundation
Berkeley Rep School of Theatre’s youth and teen programming is limited to children who are up-to-date with those vaccinations recommended by the Centers for Disease Control (CDC) and required by California Education Code Section 48980.5, unless a medical exception applies. For children with medical exemptions, the School must be notified and a physician’s written statement supporting the medical exemption must be submitted prior to participation.
To view a schedule of the CDC’s vaccine recommendations please see cdc.gov.
To view the vaccines required by California law, please see leginfo.ca.gov.
Registration / Cancellation
All registrations are processed in the order they are received. Registrations will be accepted until the class is full or until the end of the first week of class, whichever comes first.
Class confirmations: After your order is processed, you will receive an email from email@example.com confirming your registration.
We reserve the right to cancel a class if enrollment is insufficient. In this instance, any tuition paid will be refunded in full.
Returned checks: A $25 service charge will be attached to any check returned by the bank due to insufficient funds.
Class cancellation policy:
- If you cancel 24 hours or more before the first class meeting begins, we will refund tuition less a $50 processing fee per class. If you cancel within 24 hours before the first class meeting begins, we will refund tuition less a $75 processing fee. If you cancel within 24 hours after the first class meeting, we will refund half the tuition amount. And 24 hours or more after the first class meeting, no refund will be given. Refunds will not be given for the following classes: Advanced Acting: What’s So Funny?—Acting Comedy; Acting Shakespeare: Beginning; Alexander Technique for Mind/Body Balance; Auditioning: Prepare for TBA Generals and Open Calls; Confidence and Craft: A Monologue Workshop; Feldenkrais and the Alba Method of Acting; Improvisation Performance Lab; Intermediate Voice-Over Acting; Live Improvised Foley Artistry; Producing Theatre; Professional Voice-Over Acting; Tactical Performance: The Theory and Practice of Serious Play; Theatre of the Oppressed: Mindfulness, Meditation, and Liberation; Theatre of the Present.
Teen Night Season Pass cancellation policy:
- Teen Night Season Pass registrations are non-refundable and non-transferable. Season Pass holders will receive a reminder email before each Teen Night. If you are unable to attend a performance, please send an email to firstname.lastname@example.org to release your ticket for another teen.
Berkeley Repertory Theatre is not responsible for any lost, damaged, or stolen personal belongings.
Students are expected to attend all scheduled classes and scene partner rehearsals on time and ready to work. Repeated non-compliance without notification may result in dismissal from class without refund.
All dates, times, and programming subject to change.
2071 Addison Street, Berkeley CA 94704
School of Theatre major sponsors
Walter & Elise Haas Fund
Jonathan Logan Family Foundation
The Woodlawn Foundation